Sabine Schäfer
TOPOPHONIEN // Studio <SA/JO>
MENUMENU
  • Home
    • Work list
    • Biography
    • Studio TopoPhonien
    • Studio SA/JO
    • Joachim Krebs
  • Selected Works
    • Bats ´n´ Insects
    • Dialogische Übermalungen
    • EUROPA – so nah, so fern
    • Fragil
    • GREEN CODE
    • SonicSpheres
    • Sound Warp
    • SPACES
    • The Morning Line Bell
    • MicroSonical Shining Biospheres
    • topophonic lines
    • Hörbild
    • SSI#2 LED Triptych
    • SSI#2 audio video installation
    • SonicRooms
    • TopoSonic Tunnel
    • Beyond E.
    • SONIC LINES N`ROOMS
    • SONIC LINES N`ROOMS NO.7
    • ProsaPhon(ie)
    • TOPOSONIC LINES N`ROOMS WITH INSTRUMENTS (2002)
  • Selected Exhibitions
    • Vorglühen
    • Sinneswandel
    • Europa, so fern und doch so nah!
    • Seasons of Media Arts
    • Kunst(p)artikel
    • Art weeks for climate protection
    • World walk
    • in focus. Nottingham
    • West Visit
    • in focus. Karlsruhe
    • Scaled Perceptions
    • Leuchtender KLANG
    • Communication as the Processes of Life
    • WHY KNOT?
    • Deleuze und der Sampler als Audio-Mikroskop
  • Publications
    • Deleuze und der Sampler als AudioMikroskop
    • WHY KNOT? Rhizome - Connection - Icon
    • Traumkraut und Rhizom
    • Sound – Time – Space – Movement
      • The Space-soundObject
      • The circumambulatory Space-soundBody
      • The enterable Space-soundBody
        • Hybrid form of enterable and circumambulatory Space-soundBody with Space-soundObject.
        • Hybrid form of enterable Space-soundBody with two circumambulatory Space-soundBodies
      • Space-within-Space
      • The concert Space-soundBody
  • Contact / Imprint
  • Privacy Policy
  • Deutsch
  • Video gallery
MENUMENU
  • Home
    • Work list
    • Biography
    • Studio TopoPhonien
    • Studio SA/JO
    • Joachim Krebs
  • Selected Works
    • Bats ´n´ Insects
    • Dialogische Übermalungen
    • EUROPA – so nah, so fern
    • Fragil
    • GREEN CODE
    • SonicSpheres
    • Sound Warp
    • SPACES
    • The Morning Line Bell
    • MicroSonical Shining Biospheres
    • topophonic lines
    • Hörbild
    • SSI#2 LED Triptych
    • SSI#2 audio video installation
    • SonicRooms
    • TopoSonic Tunnel
    • Beyond E.
    • SONIC LINES N`ROOMS
    • SONIC LINES N`ROOMS NO.7
    • ProsaPhon(ie)
    • TOPOSONIC LINES N`ROOMS WITH INSTRUMENTS (2002)
  • Selected Exhibitions
    • Vorglühen
    • Sinneswandel
    • Europa, so fern und doch so nah!
    • Seasons of Media Arts
    • Kunst(p)artikel
    • Art weeks for climate protection
    • World walk
    • in focus. Nottingham
    • West Visit
    • in focus. Karlsruhe
    • Scaled Perceptions
    • Leuchtender KLANG
    • Communication as the Processes of Life
    • WHY KNOT?
    • Deleuze und der Sampler als Audio-Mikroskop
  • Publications
    • Deleuze und der Sampler als AudioMikroskop
    • WHY KNOT? Rhizome - Connection - Icon
    • Traumkraut und Rhizom
    • Sound – Time – Space – Movement
      • The Space-soundObject
      • The circumambulatory Space-soundBody
      • The enterable Space-soundBody
        • Hybrid form of enterable and circumambulatory Space-soundBody with Space-soundObject.
        • Hybrid form of enterable Space-soundBody with two circumambulatory Space-soundBodies
      • Space-within-Space
      • The concert Space-soundBody
  • Contact / Imprint
  • Privacy Policy
  • Deutsch
  • Video gallery
  • Home
  • /
  • Art Works
  • /
  • latest

5.10. – 19.10.2019, in focus. Art – Science – Nature

Nottingham Central Library
50-jährige Städtepartnerschaft Karlsruhe – Nottingham
Medienkunst, Fotografie – Gruppenausstellung
>Astrid Hansen, Birgit Spahlinger, Sabine Schäfer

© Photo: Astrid Hansen, Birgit Spahlinger, Sabine Schäfer

One of the most effective and revolutionary techniques concerning reduction and concentration is to focus on the world of things as a source material, in order to penetrate to the essence of things and ultimately bring about a profusion of new creations. Employing consistent focussing, art has always opened the door to perceptions of transhuman existences, and generated an aesthetics of hybrids that today frequently pursues a rhizomatic logic and algorithmic form.

The most consistent result of the mechanization of our apparatus of perception is probably the reduction to the digital state of being / non-being.

Three artistic approaches make reference to this by varying the viewer’s perspective and scaling it, between technological apparatus and sensory organ, into the object. The artwork assumes the role of transmitter, leading the apparatus, and distilling the potentials of transhuman formation back into the human realm of the perceivable, leaving faint notions of the grandeur of universal being and its manifold subtexts.

It is in such a spirit that Astrid Hansen, Birgit Spahlinger and Sabine Schäfer not only penetrate a sort of ‘ground’ through their own media-based focussing, but also create reasons for information, perception and existence.

 

Dr. Annette Hünnekens

Posted on August 11, 2019 by Philipp Berdesinski. This entry was posted in Art Works, latest. Bookmark the permalink.
23.06. – 14.07.2019, in focus
29.01. – 14.02.2020 World walk

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Powered by